Sunday, December 10, 2006

A reflective draft

My therapist lets the words drop from her mouth like atomic bombs. “It’s sad that you don’t have a place for you to express your true feelings.” I feel my mouth open and nothing comes crawling out. I think that maybe I can come back with a statement that isn’t serious, but she’ll jump on it like a kitten discovering plastic bubble wrapping for the first time. She knows all my comebacks and knows that I dig deep holes and sprinkle my feelings inside where they’ll never see the sun ever again. And so I sit and keep all the words that ever existed locked up until I found a place for me to be comfortable to let them free.

...
Death & Perspective is everything its course title suggests it is. But it doesn’t speak all. Not only do we learn about death and dying, we also learn how to enjoy life. I tried to grasp onto the last topic of learning, but was unsuccessful. I tried to make myself believe that I did grasp it, but when I saw the young man stretched out dead upon the slab of metal, I realized that I did not.

The reason I signed up for the course was not because of the field trips to interesting places, but because I was going to give up on life itself. I was taking this course for a road map to death – to see what my body was going to do while it was dying. To write out my living will just incase everything didn’t happen according to the plan and I was living on machines. This was going to be the class that led me into a comfortable coffin with hopefully nice soft satin on the inside. By the end of the course, I found myself questioning my line of thinking and actually getting help.

By writing the essay, I was also able to release my feelings and finding a home for them. I realized that writing can take you places that maybe you weren’t even ready for. That it can open wounds and sew them shut. This is the beginning of a journey that will open myself and realize that it is okay to be who I am.

Sunday, December 03, 2006

My Writing Process

Was there a point in your writing when you almost forget it was an assignment?
What was the subject you were writing about? What was your experience?


As I was writing my personal essay/memoir, I let the words flow from me freely. I didn’t view the topic I was writing about as a paper that I had to turn in, but something that I felt that I needed to write and let go. If I began to think that the assignment was something that I had to submit for a grade, I’ll feel the pressure and probably not turn in a good paper. Or maybe I would have.

In the back of my mind was the goal of writing a decent paper that would receive a pretty good decent grade. But for the most part, I approached my personal essay as something that I would write to get published somewhere. I liked writing it. I liked the way it read. I liked reading it after I wrote down those words. That last part is the most important thing to me. If I don’t like reading the paper I wrote, don’t receive any joy from it, then it’s not a good paper.


Describe a point where you got stuck – where you wished you had a different subject

I got stuck when I thought I was being too personal. For the most part, I don’t like delving underneath my calm and pleasant exterior that I like to showcase to the world. I like to keep any of my shadows out of sight – from others and from myself, which I suppose isn’t too healthy. One of my group therapists told me the other day that it was “sad that I don’t have a place for myself to express my true feelings” and she’s write. I don’t. So when I was faced with trying to find that place within those pages of that paper, it was hard for me.

I put the paper aside for a few days. I thought about changing the topic to an easier one that didn’t become as personal as the paper I was writing then. But I felt that I would cheat myself out of writing a paper that would release most of the feelings that I had inside and splash them outward. And so, I kept on.

Describe what you learned from yourself

Even though at certain points the paper felt too heavy for me to keep on writing about, I learned that I could actually write about the subject.

I was in another class (Drug Use & Abuse) and wanted to write a paper about antidepressants. I never did. In fact, I now have an F in the class for not completing that paper. I felt as though it was too hard for me to write about in that moment of life. I was depressed still and was not on any medication. Writing about something so close was difficult for me. Researching depression and reading what the “scholarly” individuals thought about the matter was too, too much.

I never heard of creative nonfiction. I had this image of nonfiction as boring literature that only had the facts spelled out for you. But the ability to create something that could read like Stanton’s piece about Zion is beautiful. You are not just giving the reader facts about the subject you are writing about, but you are using your words to create the image you want the reader to envision within their minds.

What I learned about writing

There are many different types of writing skills and genres. That writing can help scope out your hurt and pain and happiness and calmness and create something that can help not only yourself, but the reader.

Thinking about audience and form? Became a more reflective writer?

Before this class, I really didn’t think about my audience when I wrote. I solely thought about whether I myself like the writing I developed. If I liked it, then okay. But now, I think of whether or not my words are good. Especially with nonfiction. If I want to publish a piece as a creative nonfiction piece, then I would go back and wonder if I made a point that I wanted to create for the reader to grasp.

Sunday, November 26, 2006

The Development of an Essay - not brought to by Stephen King, which would have been much, much more interesting

When I write an essay, I don't really have a process.

My brain is a very busy place when it's not being held down by thoughts of writing up campaigns to bring Pluto back to the Planet Club and wondering how Santa Claus is able to live on one day of work and why no one else is upset with his enslavement of elves and reindeers. When I have to concentrate on an essay, I don't write anything until I have a good first sentence. For me, a good opening sentence = gold. I sit and I read and I watch television and listen to The Onion podcasts until that good first sentence comes about. And when that sentence does come about, then the essay begins to form.

I begin to type whatever words are being hammered on my brain. Sometimes it flows and sometimes it doesn't. Each time I approach the essay, I write until I can't write anymore. And then I go back to the essay when I have more words to add to it. I write and write and when I'm finished, I go back over the words and make sure I have a certain flow to the essay. In this class, I didn't find myself switching around paragraphs or overthinking things or erasing entire pages due to them not feeling just right - I left everything where they were. It felt as though I was writing semi-unconsciously.

The personal essay/memoir I wrote was a deeply personal one. I didn't censor myself like I did all those other times trying to write about the same subject. Everything just felt...right.

I did use my personal journal to flesh out ideas, but those words were probably along the lines of "omg, nothing is flowing and I can't write this essay!!!oh noes!!!" and was not as well done as Emily Chase's journal entries.

Okay, so maybe I do have a process. :D

The Development of an Essay - brought to you by Emily Chase

Ms. Emily Chase constructs her essay, Warping Time with Montaigne, with a time consuming process to strengthen her essay to make her points clear to her readers.

The essay began as a literary nonfiction essay Chase began in her Graduate Composition class. The research paper was focused upon the works of Montaigne and with that introduction to the writer, she began to take up a further interest in Montaigne's writings.

With this now built-in interest, Chase decided to write a better essay that compared and contrasted the similarities between Montaigne and (essayist) Rodriguez writings. But how did she come about writing her essay?


  • She developed a cluster web with a central idea of literary nonfiction
  • Did a lot of freewriting
  • Loved the image of metaphors, so used them
  • Read essays by Early and Tompkins. Chase loved the way Early used words and was influenced by her. Even though Chase didn't necessarily understand the point Tompkins was trying to make in her essay, she didn't want her own essay to come off the same way.
  • Journal entries. With the journal entries, she was able to flesh out where and what she wanted to do with her essay. By using her journal, she was able to organize her thoughts thoroughly. It was a place for her to write down ideas and by seeing them, was able to work out whether or not they would work.
  • Peer critique. The peer critique she received was one that made her realize that her draft was actually readable and not a bunch of jargon slapped together to form an essay. By having your peers read your work and critique it, it gives a valuable insight. It's wonderful to get feedback from their point of view.
  • The connection between Star Trek and warping time. By letting her mind drift to the final frontier, she tagged on the central point of her essay. A time warp = warping a loom with her loved weaving. She can now have a personal connection to the essay. This is the connection she had before writing her essay and with this connection, she had a hook that followed throughout Warping Time
  • The editing group Chase was apart of gave her important feedback and suggestions so that Chase could give each draft a more polished look.
  • Chase made a list between the points she wanted to make in her essay between Montaigne and Rodriguez.
  • Chase also wrote a TON of drafts. Even though the beginning was what she kept, she flushed and re-did the middle until it became polished.

According to Chase, this was the first time she really settled down and focused on the artwork of forming an essay. She re-wrote and re-wrote until she finished with a polished essay ready for publication. She didn't look at the assignment as something she had to do, but found a personal interest in the topic at hand, included her own personal hobby of weaving for the hook in the essay and found joy in writing it. Once you find joy in your writing, you can almost write anything.

Sunday, November 19, 2006

:(

I'm staring at my Nature essay and wow. Nothing is coming. I see what I want to write: about the birds awaking and them lifting off in their little families. Experiencing an experience that I loved. Being out in the air and watching nature. Thinking how wonderful it would be to be apart of a family that resembled the behavior of birds.

But nothing is coming!

Boo :( :(

Publication analysis: Chicken Soup

What the publication is about: Chicken Soup for the Soul is a publication that features nonfiction stories that are “inspirational, true stories about ordinary people doing extraordinary things.” Chicken Soup is really about uplifting the spirit through the power of words. The majority of the stories focus around an event that happened to the author and ends with a either a moral learned or a happy ending. Each of the stories (or poems) makes the readers think. The publication wants the story submitted to them to begin with action and the story should end with a result. From the website:

Chicken Soup stories have a beginning, middle and an ending that often closes with a punch, creating emotion rather than simply talking about it. Chicken Soup for the Soul® stories have heart, but also something extra…an element that makes us all feel more hopeful, more connected, more thankful, more passionate and better about life in general. A story that causes tears, laughter, goosebumps or any combination of these. A good story covers the range of human emotions.

Subject Matter: A Chicken Soup book is split into chapters covering various subject matters. An example of the few: On Love, On Parenting, On Teaching and Learning, Overcoming Obstacles, A Matter of Perspective, A Matter of Attitude, On Death and Dying, On Aging, On Living Your Dream and Eclectic Wisdom. Depending on the book series title, the story should be correct for that particular demographic. If you are writing a story for Chicken Soup for Kid’s Soul, certain things should not be included as you would include in a more mature book of Chicken Soup for the Woman’s Soul.

Voice: The voice of the book series is told in simple basic English. The stories are a mixture of first person and third person narrative.

Form: Even though Chicken Soup asks for nonfiction work, some of its’ stories come off as though it were fiction. The story I excerpted below is an example of this. It seems as though the inspirational ending trumps the truthiness of the story.

Length: The length of the stories range between 300-1200 words.

Website: www.chickensoup.com (You can submit your story through the website also.)

Address:

Chicken Soup for the Soul

Attn: Story Submissions

PO Box 30880

Santa Barbara, CA 93130

Excerpt from the book:

What It Means to Be Adopted

By George Dolan

Teacher Debbie Moon's first-graders were discussing a picture of a family. One little boy in the picture had different color hair than the other family members.

One child suggested that he was adopted, and a little girl named Jocelynn Jay said, "I know all about adoptions because I'm adopted."

"What does it mean to be adopted?" asked another child.

"It means," said Jocelynn, "that you grew in your mother's heart instead of her tummy."

Tuesday, November 14, 2006

Nature Essay Draft

It’s 4am and the room is a sky without its little pockets of lights. My ears are filled with the vanishing rings of the steady beeps of the cell phone alarm. My body wants to sink into the softness of the bed and the walls and to watch everything become alive here in my bed. Across the room, a dark mound of sheets moves about which transforms into Danielle. She pushes her body up upon an elbow and asks, “Are you ready?”

The car feels as though it is shot from a canon. The tires burn against the asphalt of I-90 as it tries to outrace the rise of the sun. We leave behind Albuquerque, New Mexico with its beautiful big low hanging moon and move toward Bosque del Apache, a wildlife refuge that is home to tens and thousands of birds. The goal is to reach the resservation before the sun awakes the world and the land where the birds lie.

The car leaves the highway and its' wheels rumble over a road packed tight with dirt. The road can only hold two tightly squeezed lanes and running along side is a train track upon a mound.

Sunday, November 05, 2006

Nature Nature Nature

Annie Dillard's piece made me realize that a nature essay should have a moral to it. Even though she's writing about weasles she has a strong moral hidden within her words. She notes that we should all live like weasels, by never letting go when an opportunity arrises. Never ever let go of it.

I almost let an opportunity go.

Late last year, Dr. Chandler asked two other students and me to attend a convention out in Albuquerque, New Mexico. I'm the type of person who would say yes because I wouldn't want to let anyone down. And so I said yes and spent the next three months in throes of sheer panic. All the way up to February 7th (the plane ride to New Mexico) I felt this panic. But as we got there and I settled down in the Bed & Breakfast, I began to feel better and soon enough, began to relax and enjoy myself.

One of the nature aspects was when we visited Bosque del Apache Habitat to watch the Cranes and Snow Geese take off all at once when the sun rose. They didn't do exactly that - each 'family' of birds took off together. It was so amazing to see. We then went on a tour of the Habitat to try and see the ducks, cranes, snow and canadian geese, sparrows, cuotes, ravens and other birds. When we finally got around to the cranes and snow geese (where they were in the field), they picked and flew off together. A whole gackle of birds taking flight, so close to the car and it was AMAZING.

What I have of my Lit. Journalism piece

The wheel underneath my hands are trembling. The Jeep hasn’t really pushed 65mph before on local streets and is now. Well, not on a local street where a little kid could get ran over by a 1988 Jeep Cherokee. I worry about the brakes cutting out. You hear that happens all the time on the news and in the papers. The helicopters are always hovering above such crashes with their close-ups of the wreckage and the cars traveling at a snail’s pace past the horrific scene with drivers probably looking to see if they could spot blood and dead bodies.

OK. I shouldn’t be thinking about that. I should concentrate. I want to put on the radio, but I’m afraid to remove one hand off of the steering wheel to find a station that doesn’t play music that will rupture my ear drums and make me want to wreck my vehicle.

I pass exits way too fast to actually read them. What city was that? I couldn’t have possibly passed Union’s exit? Apparently, not only am I afraid of removing any body part from their positions that they are currently in, I’m sure if I shift my eyes to the side view mirror to check out the exit on the other side, I’ll rear end the car in front of me which is at least 50ft in front of me.

But before I could really paralyze myself into further fear, Union’s exit rises in front of me like a Boston Cream donut of amazement. I flip the signal switch with my left pinky and slow down to make the turn which is filled with twists that if you were into racing cars, you’ll probably make this road one of your points to hold a drag race on.

As soon as the last two tires leave the exit ramp, my eyes are revealed to a sight that is slightly familiar. This was not where I was expecting to arrive at. My hand loosens its death grip and grapples for my phone tucked somewhere in the Black Hole that is my book bag. My thumb hits the button that gives me my brother’s voice.

“Hey, I have no idea where I am – wait, wait, I think I do, the street sounds kinda familiar – oh! I see something I remember! A Catholic school! Maybe I should stop.”

My brother, who knows that when I say ‘I’m going to stop’ means I’m going to stop right in the middle of the street and probably be one of those messed up cars on the 5 o’clock news, promptly yelled out, “No!”

I think I know where I want to this piece to go. I want to link it to the Provisional License driving rules that New Jersey has. Two of the main rules is that you CAN NOT talk on the cell phone while driving and can not drive between the hours of 12am to 5am. The rules leave room for 'in case' of emergency situations, but if one had a job in which they had to drive between those set hours or had to just go out between the hours - it can cause problems. Sure you can constantly drive around with your notice from your employer stating that you can drive these hours in your glove comparment, for just in case a cop or two pulls you over within your journey, but it might become tiring. I'm going to work with those two issues. Hopefully it sounds okay so far...does it?

Sunday, October 29, 2006

The many different faces of journalism

Besides reading Undressing Victoria by Erika Vidal and feeling real down about my upcoming English degree and wondering, Will I too be working at a place that I never really expected myself to be at? Like a person sitting on the cold concrete ground of Grand Central Station playing the guitar badly and asking for change and to get even more change, will perform a Britney Spears choice of dance?

Yeah, besides that sharp feeling digging into my mind, the piece made me realize what literary journalism looks like. Or at least, how some might write it.

Stripped for Parts by Jennifer Kahn presented literary journalism as a piece that introduces you to the world of organ transplants. She opens her piece with a hook that makes the reader want to read on. The television playing a reality television show in the dead man’s room. The color of the dead man’s skin. The twitch the foot makes when it’s scratched. It pulls the reader in who would not nearly read about organ transplants. But that’s the thing, isn’t it? Kahn doesn’t tell the reader that she will be writing about organ transplants until the third paragraph and it feels like a good right jab in the face. The reader was reading along, probably believing they were about to read an interesting story (which it was, but still) about dead persons and how they got that way.

In the news journalistic examples we get from newspapers across the country, the journalist has to state their purpose of their article in the beginning few sentences, they can not string along the reader for as long as Kahn displayed in her piece.

Vidal’s piece is 98% story and 2% fact. She fills the piece with her personal feelings and her experience about going on a job interview at Victoria’s Secret. The first person usage of ‘I’ is of course present and of course, such a thing will not be seen in a news journalism piece. The reporters report what they see and use their words to create an atmosphere for the piece. In what I’ve read so far about literary journalism, it seems as though the author’s use their words to tell how they feel. Kahn used her piece to almost slant the reader’s thoughts about organ transplants and Vidal decides to take a look at the backstage workings of retail giant, Victoria Secret.

The difference between a memoirs and personal essays is that literary journalism offers facts. Somewhere in the piece will be some form of fact and research. In memoirs and personal essays, such things might be omitted.

Monday, October 23, 2006

Truthiness is Everywhere

The memoir I’m writing focuses upon the subject of depression and mental institutions. A big chunk of it will be about my arrival to the hospital and what occurred afterward: my deployment into the psychiatric ward and what happens there. I decided to focus mostly upon the days I spent there. What I did. How I was treated. How the food was. And maybe an appearance of a “colorful mixture of vomit” done by my roommate. The only thing I see in my writing that could be taken as maybe untrue would be the dialogue. Each person that spoke to me said almost the same words, but I’m positive it isn’t word for word – my memory isn’t that good. I have phrases floating around in my mind, but I connected them to make them sound more appealing. Is that fabrication? I remember my brother talking about the Turkey sandwiches and the 40 year old man stalking the hallways and the nurse telling me to swallow the charcoal in big gulps, but don’t remember their statements word for word.

The way my memoir goes is just a boring stay at the mental institution. I had my journal with me at the time and I documented most things that happened. Just not word by word sayings that people said to me throughout the day. I remember the waiting and doing nothing. On Sunday’s it was quiet – no groups to go through and all we did was either wait in our rooms, watch television, talk to whoever on the phones, wait for cigarette break, or play cards. I learned how to play Hearts there.

This all happened three months ago. Things are getting a bit fuzzy around the edges. I’m forgetting people names and some of the situations that happened. Or maybe I wanted to forget. That’s what happens to me sometimes. The memories that I want to forget drip away to the point where I think “Did that really happen?” Those memories I try to go around writing about. But sometimes, they slip in.

What I have so far doesn’t seem to include those memories. I remember them concretely. I see my roommate’s matted hair and dazed eyes. The boy’s 25 or so cuts that line the inside of his right arm. The Spanish language darting from one mouth to the other. The book Dry by Augusten Burroughs I read while being there. The art class and Amy. The woman who always carried a bag stuffed with her belongings everywhere with her. The woman that had a drug problem and had her two little ones taken from her. But I might not write about those people.

Wednesday, October 18, 2006

Memory Memory oh sweet Memory

I believed that memory envy was something that the author themselves believed to be true, but it isn't. If I believe that I fell down a flight of stairs and broke all the bones in my right hand due to my cousin "accidentally" pushing me, then to me, that is the truth. Of course, my cousin could refute such statements in a court of law when I sue for assault, but since this is my memory as I believed it to have happened, it’s true to me.

Binjamin Wilkomirski in his novel, Fragments, believed that he was a child of the Holocaust. He fully believed that he lived through the horrors and was directly affected by such events. Is he a liar? Well…no. Not really.

He didn’t purposely tell lies in his memoir – he believed what he wrote. His memory instead played tricks on him to the point that it made him believe that he went through events that he never did.

Everyone has memories. Everyone remembers things differently from others. If you have a group of people watch a robbery, surely you’ll get many different reports of what happened and how the robber looked like. Hell, even when 9/11 happened, you had reports of people stating that it was a helicopter or a small plane that crashed into the North Tower of the World Trade Center when in fact it was a Boeing 767 – a huge plane that should not have been mistaken for such small aircrafts.

The memory is such a tricky place, but can one be held accountable for things they thought was true, but in the end, found that it wasn’t? I myself, will say no – but how can you prove that the person wasn’t just lying and fell back on that defense: “I believed it to happen.” How can you really know the truth?

Sunday, October 15, 2006

If you're going to lie, please, please, PLEASE do not involve the police

Oy, practically wrote my blog in Matt's comments. Took a look at it and said, "Hey, that'll make a good blog entry!" And so here it is. With as much truth as possible.

"Lying became part of my life." James Frey, A Million Little Pieces

Oh Mr. James Frey, how true you are to those words.

The line between truthiness (thank you, Stephen Colbert!) and non-truthiness in memoirs and personal essays are a thin, thin line. Sometimes, that line is downright blurry.

If you write about an event in which only you have witness too and no one else to back it up, what's stopping the author to embellish a bit, or maybe lying to boost up a point for entertainment?

You know what it is? The author's conscience. If you don't feel bad about lying a bit here and there (aka James Frey) then you will have no problems publishing those non-truths. Or maybe you will, but if those non-truths make your book the #1 book on the New York Times Bestsellers Booklist and that equates money, maybe those bad feelings will melt away.

James Frey not only embellished, he straight out made things up. The Smoking Gun reported that he tried to ship his manuscript as fiction first and as it all boils down, it turns out half of his words were fictions. The funny thing is, if he didn't go on Oprah, this probably would have never went down.

But still, it seems like the reader doesn't want the truth after all. Even after the blow up with Frey, A Million Little Pieces still remainded in the top 10 (even #1) on the New York Times Best Selling List for the Nonfiction Paperback editions. Heck, right at this moment, it's #25. I won't lie, I even bought the book when this was going down to see what the whole brouhaha was all about. Frey is a good writer - very good writer and even though I read his work as fiction, I still enjoyed it. Sometimes, bad press = MONEY and FAME. Hell, Hugo Chavez could even sell books for Noam Chomsky (as witnessed by the Amazon.com and Chomsky's #1 position on it at the time) after calling President George Bush an idiot and insane in the membrane. This society almost thirsts for controversy and having Ms. Queen Bee Oprah use Frey as a whipping post made more money in his pockets.

But the worst thing about this entire situation? Frey had followers who were in his situation and thought that he could make it, so can they. He even gave talks and according to TMS, people had tattoos of 'Hang On' - Frey's belief saying in his book - printed on their bodies and shirts made up. If Frey lied about his recovery, he let down all those people that believed in him.

On the notion of changing individuals names in books, I’m all for it. If I write the truth about Bad Times with certain people and don’t want to get sued by those certain people, the smart thing to do would be to change the names and probably change characteristics so those people who I’m writing about don’t certainly know that I’m writing about them. Now, making up whole situations and basically lying, not so smart a thing to do.

The major thing I learned while watching the James Frey public dogging unfold was that it’s wrong to lie in your memoir – especially if you’re going to involve anything that leaves a paper trail like old police records. And to take assloads of cocaine. And to go to Jail. But right now, Mr. Frey is lying up in his multi-million dollar apartment in Manhattan just laughing all the way to his fabulous bank.

And for your viewing pleasure, the origins of the word 'Truthiness' as demostrated by Stephen Colbert:

Tuesday, October 03, 2006

Brainstorming for Memoir


I wanted to focus upon the day that I realized that Santa Claus did not exist. Like any other kid on the block, I believed that a guy with a beard broke into my house with a knapsack of all the presents I ever wanted for that year and didn't make one sound while placing said presents around our 7 foot tree.

Even if Santa rounded my family up and tied us up underneath the multi-sparkling Christmas tree, I wouldn't have minded as long as he had my Polly Pocket house set all wrapped up with a pink bow.

I used to have these dreams about going to the North Pole, getting a job as a toy maker and work side by side with Santa Claus himself. I can imagine making (or not-so-making) toys and maybe get a cut from Santa. Like every 10 toys I made, I get 2. Or something. Hey! I deserved it - I was a super, super duper good girl that year, you know. Or you don't - in which you, well, don't. Just take my word for it.

I want this memoir to be a picker-upper than the personal essay I wrote, so I decided to focus upon something lighter from my childhood.

Monday, October 02, 2006

Freewriting to the Space Beyond

With this personal essay I wanted to focus upon my struggle with depression. Everything came to head this past Summer (and well, Spring and last Fall) and I'm trying to develop an essay that makes my point known. I think that I might also try to make the essay a bit more personal - about why I feel depressed and how I figured it all out. By looking at the autopsy, it ticked something in me that I really didn't realize. I didn't mind being dead and seeing the human body laid out like that - so, so very dead made me realize it even more. I'm going to bring that particular focus to a sharper point in the essay (or at least try to)

I'm not exactly sure who my audience is yet. I'm thinking along the lines of mental health. My experience with depression should fit well with that particular audience. But, I also want to find an audience that is outside that field. I think the essay could fit into an anthology of memoris/personal essays and do well.

Sunday, October 01, 2006

Mimi Schwartz - My Father Always Said

Mimi Schwartz's memoir piece, "What Father Always Said" is about the clashing of two different cultures. The one that was way back when in a German town. The other in the present in Queens, New York.

Schwartz's memoir is split in six pieces.

The first piece introduces her father to the audience and his favorite line is, "In Rindheim, you didn't do such things!" We as a reader recognize that the father compares and contrasts the two very different cultures quite frequently. But as a young girl, Schwartz didn't seem to care about Rindheim or what they did there.

The second part is when the father finally gets to introduce his homeland to his American born daughter. On viewing the place where her father grew up, she denounces him a hick, but at least admits that her father's home town was prettier than Queens. When getting the chance of seeing inside the walls of the house her father grew up in, he bows out which is suspicious from a man who wants to share so much of his past history with his daughter. Later in life, the daughter does some comparing and contrasting herself with the realization that Asians are beginning to fill little Rindheim just like Forrest Hills, Queens. They’re more alike than her father realized.

The third part reveals that Schwartz’s father doesn’t necessarily wants to reveal everything about his homeland. It seems like he doesn’t what to relive all the horrors and tragedy his town suffered, but instead wants to remember all the wonderfulness he grew up with. And even when he was pushed by Schwartz to tell a story from back then (the Kristallnacht story for example).

The fourth part focuses on the school her father went to and talks of when her parents dated. The school was split into two - the Jewish had the first floor and only one teacher and the Christians had two floors and more teachers. Even though the father said that everyone got along, it probably wasn't true. This is the one time during her retelling of the story that things are relaxed and playful.

The fifth part is wrapped around the cemetery. Schwartz sees the places where her grandmother, grandfather, great grandfather and great great grandfather are buried. She can’t get a hold of who they were just by staring at their gravestones. She could only envision her living grandparents. But by placing rocks on the gravestones she realizes something. “Some connection had been made, he knew, the one he had run from and returned to, the one I resisted even as I lay stones” (Schwartz 221). She also connects to all the young lives lost in the cemetery to the life lost of her older sister. She also learns more about her family in the form of Aunt Rosa who was deported to a concentration camp where she died. But still, Schwartz doesn’t fully imagine all the death and mayhem – she only imagines the roles of actors and actresses portraying the people killed.

The sixth and final part describes how her father loses his favorite line of “In Rindheim, we didn’t do such things.” He instead tells his daughter that she should be happy that she’s in America whenever she’s sad. He doesn’t try to persuade her with talks of his homeland and the magical power it once held. He seems to not like to mention the town anymore than he has to. The town has lost its magic, as Schwartz noted.

Schwartz writes of a childhood spent in America with her father constantly telling her about his homeland and how wonderful it was. By taking her to Rindheim, all the memories rush back and by seeing the bombed out buildings and etchings of German marked on churches, he himself realizes that his fantastic little homeland isn’t what he imagined it still to be. He always told his children that Queens was so very different from Rindheim, but in the end, they were almost alike. But she also learned that it’s a treasure to learn your history and see what your parents have been through to make sure their family was safe.

By separating the memoir into six sections, we get a feel for who the father is. In the first piece, we see a father who is stern and flummoxed by his children and their behavior, comparing it to the children of his home town. The second piece shows a man that loses some of his tough exterior when faced with going into his own family home. And still yet, that unsureness is shown yet again when the father doesn’t want to delve into farther than necessary to explain certain parts of what happened in Rindheim. This memoir, to me, shows a man who was once so proud of his city to the end where he doesn’t mention it that much to his children. By stepping foot back into this city, he realized that everything great about it, wasn’t truly great at all – it was all ruined. He believed that everyone in his town did everything right, but realizes that they didn’t. No one is ever perfect, and neither was his town. Especially not a town that let their own citizens be deported to concentration camps so they could die there.

The father knocks down his timid walls about America and immerses himself with golf and with friends who never even heard about his city. His mouth doesn’t hardly speak of his once highly placed city. He seems to forget.

Tuesday, September 26, 2006

In which I try to separate the personal essay from the memoir and fail miserably. Yay!

There’s a fine line between personal essays and memoirs. Actually, it gets a little confusing after awhile that you might begin to intermix the terms ‘personal essay’ and ‘memoir’ when talking about each.

According to Essortment, a personal essay is “essentially non-fiction stories, ones that are neatly arranged like a road map that take the reader from point A to point B to point C.” We can see this construction in Lott’s essay “Brothers.” In the segmented essay, Lott follows a chronological order of the telling of his life – first beginning with the far past and ending with the present. He doesn’t step out of that pattern.

Now memoirs. According to Wikipedia:

Memoirs may appear less structured and less encompassing than formal autobiographical works as they are usually about part of a life, often a public part, rather than the chronological telling of a life from childhood to adulthood/old age.

So that pretty much sums up memoir, I suppose. Personal essays: chronological order. Memoirs: Not so much with the chronological order.

But then I read the personal essay, “The Best Cake Made Both of Us Sad” by Chris Offutt – he breaks the pattern a bit. He begins in the present, then skips to the recent, recent past to the recent past and stays in the recent past. But it’s categorized as a personal essay, which then confused me.

I’m familiar with the essays (or memoirs) of David Sedaris (author of the funny Me Talk Pretty One Day , Dress Your Family in Corduroy and Denim and other fabulous stories). He tells stories about pieces of his life and usually, they follow a chronological order. The first story in Me Talk Pretty One Day, is called “Go Carolina”. It’s about the author’s problems with 1) Not knowing sport teams and 2) His speech issues – especially with the letter ‘s’. The thing that threw me was that he did tell his story in chronological order. And with the definition provided by Wikipedia, it's a piece of his life. So, is it a personal memoir essay?

I read the first page of ex-governor McGreevey’s memoir The Confession while shopping at BJ’s. OK, I didn’t read the entire first page, but at least one paragraph. He begins his saga a day (or year, I forget) before his political career went, well, way downhill. He and his wife are tucking in their baby girl and they watch her sleep. By watching his interview on Oprah I knew by reading that one paragraph that he was going to skip the A-B-C pattern that is seen in personal essays by going back into his past describing his life growing up as a boy who strived to achieve at things he wanted to be good at to the guy who picked up men in restroom pitstops.

Yes, there is a fine line between personal essays and memoirs. Unfortunately, I still don’t know that line. Well, I think I see a faint line - but it's confusing me. :(

And now, something a little extra: My favorite personal essay (I think it's a personal essay) - Six to Eight Black Men by David Sedaris. A story about a foreign land, with its foreign Jolly Ol' Saint Nick who hangs with six to eight black men (no one ever got a correct head count all those years) who just might kick you if you’re naughty or stuff you in a sack - whichever comes first.

Thursday, September 21, 2006

Brainstorming to a Place, Far, Far Away

I was thinking about focusing my essay upon aspects of my life. Like the (multiple) times my brother tried to sell me to our next door neighbor for money for a new G.I. Joe doll. Of course I don't remember all the fine and fabulous details except for those times my brother told me to probably scare me into not telling my parents that he was the one that unwound all the toliet tissue from the bathroom.

Or that one time I used to believe in the toothfairy and my dream was all shattered when I caught my Mom with the crisp dollar bill in one hand and my tooth in the other.

The essay would be about family relationships with a focus upon dysfunction.

Wednesday, September 20, 2006

First Post

Very first post. Just testing the waters.